The speaker sounds relieved that a difficult woman has left, describing a home that is now quieter and happier. The repeated claim that “Little Miss can’t be wrong” presents her as someone who expects to be obeyed. Yet the speaker’s feelings shift: anger and mockery soften briefly into a wish that she is doing well, suggesting the separation has not erased all care.
Several images make the conflict vivid. “Sound your gong” suggests loudly announcing demands and expecting others to respond, while “nobody’s gonna bow” signals that the speaker no longer intends to submit. The line about wanting “one man made of Hercules and Cyrano” exaggerates her expectations: Hercules represents strength, and Cyrano suggests eloquence or romantic skill. The “monkey wrench” in a brain-surgery image is comic exaggeration, implying that she may be capable but also clumsy or disruptive.
The song is an openly hostile complaint, and its insults are part of the speaker’s performance, not a balanced account of the relationship. The final wish that she is “doin’ fine” complicates the earlier bitterness, though it may be sincere, sarcastic, or both. The lyrics do not explain what happened between them, so the woman’s behavior and the speaker’s fairness remain uncertain.