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Eleanor Rigby (Speech Before Take 2)
The Beatles
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Now, in fact on your, do you use vibrato on those, on those, um, chords?
Yes, we do, yes
Just to, just to produce it (it helps it)
You'd like it drier, would you?
Paul, what do you think of, where are you?
Paul, are you there?
Do you want them to use-
Yes?
Do you want them to use the chords without vibrato at all?
Do you want to hear it?
I can't hear you, what?
I think he means the chor-, I think you mean the chords after G
No, I mean this
I mean, better leave it (yeah)
Uh, listen to this, Paul
This is without vibrato on the, on the, um, on the rhythm bit, you know?
Three, four
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Now, same as you were with, with vibrato
Three, four
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Can you tell the difference?
Um, not much
(All those years of learning and-)
Yes, thะตre you are, you see, sounds the same
It sounded better without
Yeah, I thought it did actually (yes)
(It sounded better without)
Sounds better without, though
Especially if we make it more marcato too
It's a slightly more mechanized noise
Let's do it without
So you only hear the vibrato when you've got anything to say
Okay
And even then unless it, unless it happens to be a long one
Like for example, you've obviously got to have vibrato on those bits
But even on the, uh, you know, your statements, Tony
For example, or the inner parts, "Ba-da-da-da-da-dum"
Keep the vibrato fairly narrow (classic), not too wide a vibrato
That's it, that's it
I took violin for a term, and it killed me
Deadly, isn't it? (Me and everybody else)
Deadly noise, deadly
Right, shall we go on?
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