Frequencies
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The purpose of this record is to demonstrate a neglected factor
In phono pickup design; namely, the ability of the pickup to
Stay in contact with the groove modulation over a wide range of
Frequencies and intensities. In other words, to track the groove
This is re-evolution, regeneration, re-presentation
What's your destination?
Maybe star status amongst the constellations
No conversation without contemplation
Premier lyricist in deep concentration
Beware or you'll suffer severe complications
Straightening learning curves with re-education
First lesson: never question my dedication
Most of y'all are in it for commercial presentation
No rockin' without the proper documentation
Fuckin' with it 'fore you committed is fornication
I rock hard with the rock hard fortification
Nowadays MC's either pimps, players, killers or murderers
We drop jewels like two clumsy-ass burglars
I'm straight servin' all MC's more than Vincent
Blow 'em out like week gaps made by Jensen
Don't even listen, we too deaf for you to hear
Last year went up MC's like pap smears
Stand clear, run on this and hit the rear
Shed tears, what you feel not is fear
Recording engineers have known for many years that the
Tracking ability of pickups is the main factor in determining
The dynamic range of the records which they may cut. This
Tracking limitation may be so severe as to make some passages
Unplayable—the needle simply jumps to the next record
Yo, my mic's made of steel, stainless to leave you nameless
I'll screw you faceless, thereby the rhyme painless
School MC's and they still gainless
Move through the optical force, got it with God force
And you still lost, strength like two tons
Spit like two guns, your crew's too done
Two to none, my freshness preferred, Chaotix ten to one
Rhyme blaze MC's equivalent of the sun
I'll make your technology look like Pitty Pat
Silly that you still ain't comin' with silly raps
Old schoolin' fools like Scooby Scrap', come with foolish rap
Record stores turn into a toilet bowl of crap
K-O-T-I next to generation
Shook like you lookin' through books of Revelation
Every rhyme I'm speakin' I'm seekin' is vindication
For us to stop evolvin' is never an indication
Never gracin' tracks with wack representation
Outpacin' every other in this generation
Manipulatin' metaphors, form alliteration
Whoever test facin' a critical situation
Space that you wastin' facin' obliteration
K-O station, identification
Hesitance leads to definite devastation
K-O-T-I-X collaboration
Yes, or it may be so subtle as to cause a piano note to buzz
A bell to sound leaden, or cymbal clashes to resemble sandpaper
Sheets rubbed together. We'll explore these limitations in this
Record by reproducing a number of musical sounds... by
Reproducing a number of musical sounds... by reproducing a number
Of musical sounds... by reproducing a number of musical sounds